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About landscape architecture
Design of outdoor public areas, landmarks, and structures
Stourhead in Wiltshire, England, designed by Henry Hoare (1705–1785), "the first landscape gardener, who showed in a single work, genius of the highest order"[1]
Landscape architecture is the design of outdoor areas, landmarks, and structures to achieve environmental, social-behavioural, or aesthetic outcomes.[2] It involves the systematic design and general engineering of various structures for construction and human use, investigation of existing social, ecological, and soil conditions and processes in the landscape, and the design of other interventions that will produce desired outcomes.
The scope of the profession is broad and can be subdivided into several sub-categories including professional or licensed landscape architects who are regulated by governmental agencies and possess the expertise to design a wide range of structures and landforms for human use; landscape design which is not a licensed profession; site planning; stormwater management; erosion control; environmental restoration; public realm, parks, recreation and urban planning; visual resource management; green infrastructure planning and provision; and private estate and residence landscape master planning and design; all at varying scales of design, planning and management. A practitioner in the profession of landscape architecture may be called a landscape architect; however, in jurisdictions where professional licenses are required it is often only those who possess a landscape architect license who can be called a landscape architect.
A canal design focused on esthetical landscape architecture in Stockholm, Sweden.
A river with concrete walls like those of a flood control channel, a historic flood-control measure using landscape engineering in Houston, Texas. Such channelling, intended to be strictly functional, may make flooding worse, by speeding the flow instead of spreading the pulse of floodwater.[3][4][5]
The most valuable contribution can be made at the first stage of a project to generate ideas with technical understanding and creative flair for the design, organization, and use of spaces. The landscape architect can conceive the overall concept and prepare the master plan, from which detailed design drawings and technical specifications are prepared. They can also review proposals to authorize and supervise contracts for the construction work. Other skills include preparing design impact assessments, conducting environmental assessments and audits, and serving as an expert witness at inquiries on land use issues. The majority of their time will most likely be spent inside an office building designing and preparing models for clients.[citation needed]
For the period before 1800, the history of landscape gardening (later called landscape architecture) is largely that of master planning and garden design for manor houses, palaces and royal properties. An example is the extensive work by André Le Nôtre for King Louis XIV of France on the Gardens of Versailles. The first person to write of making a landscape was Joseph Addison in 1712. The term landscape architecture was invented by Gilbert Laing Meason in 1828, and John Claudius Loudon (1783–1843) was instrumental in the adoption of the term landscape architecture by the modern profession. He took up the term from Meason and gave it publicity in his Encyclopedias and in his 1840 book on the Landscape Gardening and Landscape Architecture of the Late Humphry Repton.[6]
John Claudius Loudon was an established and influential horticultural journalist and Scottish landscape architect whose writings were instrumental in shaping Victorian taste in gardens, public parks, and architecture.[7] In the Landscape Gardening and Landscape Architecture of the Late Humphry Repton,Loudon describes two distinct styles of landscape gardening existing at the beginning of the 19th century: geometric and natural.[6]Loudon wrote that each style reflected a different stage of society. The geometric style was “most striking and pleasing,” displaying wealth and taste in an “early state of society” and in “countries where the general scenery was wild, irregular, and natural, and man, comparatively, uncultivated and unrefined.”[6] The natural style was used in “modern times” and in countries where “society is in a higher state of cultivation," displaying wealth and taste through the sacrifice of profitable lands to make room for such designs. [6]
The prominent English landscape designer Humphry Repton (1752-1818) echoed similar ideas in his work and design ideas. In his writings on the use of delineated spaces (e.g. courtyards, terrace walls, fences), Repton states that while the motive for defense no longer exists, the features are still useful in separating "the gardens, which belong to man, and the forest, or desert, which belongs to the wild denizens."[6]Repton refers to Indigenous peoples as "uncivilized human beings, against whom some decided line of defense was absolutely necessary.”[6]
The practice of landscape architecture spread from the Old to the New World. The term "landscape architect" was used as a professional title by Frederick Law Olmsted in the United States in 1863[citation needed] and Andrew Jackson Downing, another early American landscape designer, was editor of The Horticulturist magazine (1846–52). In 1841 his first book, A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America, was published to a great success; it was the first book of its kind published in the United States.[8] During the latter 19th century, the term landscape architect began to be used by professional landscapes designers, and was firmly established after Frederick Law Olmsted Jr. and Beatrix Jones (later Farrand) with others founded the American Society of Landscape Architects (ASLA) in 1899. IFLA was founded at Cambridge, England, in 1948 with Sir Geoffrey Jellicoe as its first president, representing 15 countries from Europe and North America. Later, in 1978, IFLA's Headquarters were established in Versailles.[9][10][11]
Ecological design (any aspect of design that minimizes environmentally destructive impacts by integrating itself with natural processes and sustainability)
Landscape scientists have specialist skills such as soil science, hydrology, geomorphology or botany that they relate to the practical problems of landscape work. Their projects can range from site surveys to the ecological assessment of broad areas for planning or management purposes. They may also report on the impact of development or the importance of particular species in a given area.[citation needed]
Landscape planners are concerned with landscape planning for the location, scenic, ecological and recreational aspects of urban, rural, and coastal land use. Their work is embodied in written statements of policy and strategy, and their remit includes master planning for new developments, landscape evaluations and assessments, and preparing countryside management or policy plans. Some may also apply an additional specialism such as landscape archaeology or law to the process of landscape planning.[citation needed]
The combination of the traditional landscape gardening and the emerging city planning combined gave landscape architecture its unique focus. Frederick Law Olmsted used the term 'landscape architecture' using the word as a profession for the first time when designing the Central Park.
Since this period urban planning has developed into a separate independent profession that has incorporated important contributions from other fields such as civil engineering, architecture and public administration. Urban Planners are qualified to perform tasks independent of landscape architects, and in general, the curriculum of landscape architecture programs do not prepare students to become urban planners.[16]
Landscape architecture continues to develop as a design discipline and to respond to the various movements in architecture and design throughout the 20th and 21st centuries. Thomas Church was a mid-century landscape architect significant in the profession. Roberto Burle Marx in Brazil combined the International style and native Brazilian plants and culture for a new aesthetic. Innovation continues today solving challenging problems with contemporary design solutions for master planning, landscapes, and gardens.[citation needed]
Ian McHarg was known for introducing environmental concerns in landscape architecture.[17][18] He popularized a system of analyzing the layers of a site in order to compile a complete understanding of the qualitative attributes of a place. This system became the foundation of today's Geographic Information Systems (GIS). McHarg would give every qualitative aspect of the site a layer, such as the history, hydrology, topography, vegetation, etc. GIS software is ubiquitously used in the landscape architecture profession today to analyze materials in and on the Earth's surface and is similarly used by urban planners, geographers, forestry and natural resources professionals, etc.[citation needed]
European nations enabled the widespread circulation of urban planning strategies by transferring landscaping ideas and practices to overseas colonies. The green belt was a popular landscape practice exported by Britain onto colonial territories such as Haifa (1918-1948).[19] Spatial mechanisms like the green belt, implemented through the Haifa Bay Plan and the British "Grand Model," were used to enforce political control and civic order and extend western ideas of progress and development.[19] The Greater London Regional Planning Committee accepted the green belt concept which formed the basis of the 1938 Green Belt Act. The planning prototype demarcated open spaces, distinguished between city and countryside, limited urban growth, and created zoning divisions.[19] It was used extensively in the British colonies to facilitate British rule through the organized division of landscape and populations. [19]
Indigenous land management practices create constantly changing landscapes through the use of vegetation and natural systems, contrasting with western epistemologies of the discipline that separate ornament from function.[20] The discipline of landscape architecture favors western designs made from structured materials and geometric forms.[20] Landscape architecture history books tend to include projects that contain constructed architectural elements that persist over time, excluding many Indigenous landscape-based designs.[20]
Landscape architecture textbooks often place Indigenous peoples as a prefix to the official start of the discipline. The widely read landscape history text The Landscape of Man (1964) offers a global history of the designed landscape from past to present, featuring African and other Indigenous peoples in its discussions of Paleolithic man between 500,000 and 8,000 BCE in relation to human migration.[20] Indigenous land-management practices are described as archaeological rather than a part of contemporary practice. Gardens in Time (1980) also places Indigenous practice as prehistory at the beginning of the landscape architecture timeline. Authors John and Ray Oldham describe Aborigines of Australia as “survivors of an ancient way of life” who provide an opportunity to examine western Australia as a “meeting place of a prehistoric man.”[20]
In the late 18th century, the landscapes created by aboriginal land and fire management practices appealed to English settlers in Australia.[20] Journals from the period of early white settlement note the landscape resembling parks and popular designs in English landscape gardens of the same period.[20] In England, these designs were considered sophisticated and celebrated for the intentional sacrifice of usable land. In Australia, the park-like condition was used to justify British control, citing its emptiness and lack of productive use as a basis for the dispossession of Aboriginal people. [20]
Landscape Architects are generally required to have university or graduate education from an accredited landscape architecture degree program, which can vary in length and degree title. They learn how to create projects from scratch, such as residential or commercial planting and designing outdoor living spaces[21] they are willing to work with others to get a better outcome for the customers when doing a project; they will have to learn the basics of how to create a project on a manner of time and will require to get your license in a certain state to be allowed to work; students of Landscape Architects will learn how to interact with clients and will learn how to explain a design from scratch when giving the final project.[22]
In many countries, a professional institute, comprising members of the professional community, exists in order to protect the standing of the profession and promote its interests, and sometimes also regulate the practice of landscape architecture. The standard and strength of legal regulations governing landscape architecture practice varies from nation to nation, with some requiring licensure in order to practice; and some having little or no regulation. In Europe, North America, parts of South America, Australia, India, and New Zealand, landscape architecture is a regulated profession.[24]
Since 1889, with the arrival of the French architect and urbanist landscaper Carlos Thays, recommended to recreate the National Capital's parks and public gardens, it was consolidated an apprentice and training program in landscaping that eventually became a regulated profession, currently the leading academic institution is the UBA University of Buenos Aires"UBA Facultad de Arquitectura, Diseño y Urbanismo" (Faculty of Architecture, Design and Urbanism) offering a Bacherlor's degree in Urban Landscaping Design and Planning, the profession itself is regulated by the National Ministry of Urban Planning of Argentina and the Institute of the Buenos Aires Botanical Garden.[citation needed]
The Australian Institute of Landscape Architects (AILA) provides accreditation of university degrees and non-statutory professional registration for landscape architects. Once recognized by AILA, landscape architects use the title 'Registered Landscape Architect' across the six states and territories within Australia.[citation needed]
AILA's system of professional recognition is a national system overseen by the AILA National Office in Canberra. To apply for AILA Registration, an applicant usually needs to satisfy a number of pre-requisites, including university qualification, a minimum number years of practice and a record of professional experience.[25]
Landscape Architecture within Australia covers a broad spectrum of planning, design, management, and research. From specialist design services for government and private sector developments through to specialist professional advice as an expert witness.[citation needed]
In Canada, landscape architecture, like law and medicine, is a self-regulating profession pursuant to provincial statute. For example, Ontario's profession is governed by the Ontario Association of Landscape Architects pursuant to the Ontario Association of Landscape Architects Act. Landscape architects in Ontario, British Columbia, and Alberta must complete the specified components of L.A.R.E (Landscape Architecture Registration Examination) as a prerequisite to full professional standing.
ISLA (Indonesia Society of Landscape Architects) is the Indonesian society for professional landscape architects formed on 4 February 1978 and is a member of IFLA APR and IFLA World. The main aim is to increase the dignity of the professional members of landscape architects by increasing their activity role in community service, national and international development. The management of IALI consists of National Administrators who are supported by 20 Regional Administrators (Provincial level) and 3 Branch Managers at city level throughout Indonesia.[citation needed]
Landscape architecture education in Indonesia was held in 18 universities, which graduated D3, Bachelor and Magister graduates. The landscape architecture education incorporate in Association of Indonesian Landscape Architecture Education.[citation needed]
AIAPP (Associazione Italiana Architettura del Paesaggio) is the Italian association of professional landscape architects formed in 1950 and is a member of IFLA and IFLA Europe (formerly known as EFLA). AIAPP is in the process of contesting this new law which has given the Architects' Association the new title of Architects, Landscape Architects, Planners and Conservationists whether or not they have had any training or experience in any of these fields other than Architecture. In Italy, there are several different professions involved in landscape architecture:
Architects
Landscape designers
Doctor landscape agronomists and Doctor landscape foresters, often called Landscape agronomists.
In April 2013, NZILA jointly with AILA, hosted the 50th International Federation of Landscape Architects (IFLA) World Congress in Auckland, New Zealand. The World Congress is an international conference where Landscape Architects from all around the globe meet to share ideas around a particular topic.[citation needed]
Within NZ, Members of NZILA when they achieve their professional standing, can use the title Registered Landscape Architect NZILA.[citation needed]
NZILA provides an education policy and an accreditation process to review education programme providers; currently there are three accredited undergraduate Landscape Architecture programmes in New Zealand. Lincoln University also has an accredited masters programme in landscape architecture.[citation needed]
Landscape architecture in Norway was established in 1919 at the Norwegian University of Life Sciences (NMBU) at Ås. The Norwegian School of Landscape Architecture at the Faculty of Landscape and Society is responsible for Europe's oldest landscape architecture education on an academic level. The departments areas include design and design of cities and places, garden art history, landscape engineering, greenery, zone planning, site development, place making and place keeping.[citation needed]
In May 1962, Joane Pim, Ann Sutton, Peter Leutscher and Roelf Botha (considered the forefathers of the profession in South Africa) established the Institute for Landscape Architects, now known as the Institute for Landscape Architecture in South Africa (ILASA).[28] ILASA is a voluntary organisation registered with the South African Council for the Landscape Architectural Profession (SACLAP).[29] It consists of three regional bodies, namely, Gauteng, KwaZula-Natal and the Western Cape. ILASA's mission is to advance the profession of landscape architecture and uphold high standards of professional service to its members, and to represent the profession of landscape architecture in any matter which may affect the interests of the members of the institute. ILASA holds the country's membership with The International Federation of Landscape Architects (IFLA).[30]
In South Africa, the profession is regulated by SACLAP, established as a statutory council in terms of Section 2 of the South African Council for the Landscape Architectural Profession Act – Act 45 of 2000. The Council evolved out of the Board of Control for Landscape Architects (BOCLASA), which functioned under the Council of Architects in terms of The Architectural Act, Act 73 of 1970. SACLAP's mission is to establish, direct, sustain and ensure a high level of professional responsibilities and ethical conduct within the art and science of landscape architecture with honesty, dignity and integrity in the broad interest of public health, safety and welfare of the community.[citation needed]
After completion of an accredited under-graduate and/or post-graduate qualification in landscape architecture at either the University of Cape Town or the University of Pretoria, or landscape technology at the Cape Peninsula University of Technology, professional registration is attained via a mandatory mentored candidacy period (minimum of two years) and sitting of the professional registration exam. After successfully completing the exam, the individual is entitled to the status of Professional Landscape Architect or Professional Landscape Technologist.[citation needed]
Architects Sweden, Sveriges Arkitekter, is the collective trade union and professional organisation for all architects, including landscape architects, in Sweden. The professional body is a member of IFLA (International Federation of Landscape Architects) as well as IFLA Europe.
As a landscape architect, anyone can become a member of Architects Sweden if they have a national or international university degree that is approved by the association. If the degree is from within the European Union, Architects Sweden approves Landscape architect educations listed by IFLA Europe. For educations outside the EU, the association makes an assessment on a statement from the Swedish Council for Higher Education (UHR).
The UK's professional body is the Landscape Institute (LI). It is a chartered body that accredits landscape professionals and university courses. At present there are fifteen accredited programmes in the UK. Membership of the LI is available to students, academics and professionals, and there are over 3,000 professionally qualified members.[citation needed]
The Institute provides services to assist members including support and promotion of the work of landscape architects; information and guidance to the public and industry about the specific expertise offered by those in the profession; and training and educational advice to students and professionals looking to build upon their experience.[citation needed]
In 2008, the LI launched a major recruitment drive entitled "I want to be a Landscape Architect" to encourage the study of Landscape Architecture. The campaign aimed to raise the profile of landscape architecture and highlight its valuable role in building sustainable communities and fighting climate change.[31]
As of July 2018, the "I want to be a Landscape Architect" initiative was replaced by a brand new careers campaign entitled #ChooseLandscape, which aims to raise awareness of landscape as a profession; improve and increase access to landscape education; and inspire young people to choose landscape as a career.[32] This new campaign includes other landscape-related professions such as landscape management, landscape planning, landscape science and urban design.[33]
The National Mall in Washington, D.C. includes many examples of landscape architecture based on historical memorials and monuments.
In the United States, landscape architecture is regulated by individual state governments. For a landscape architect, obtaining licensure requires advanced education and work experience, plus passage of the national examination called the Landscape Architect Registration Examination (L.A.R.E.). Licensing is overseen at the national level by the Council of Landscape Architectural Registration Boards (CLARB). Several states require passage of a state exam as well.
Landscape architecture has been identified as an above-average growth profession by the US Bureau of Labor Statistics and was listed in U.S. News & World Report's list of Best Jobs to Have in 2006, 2007, 2008, 2009 and 2010.[34] The national trade association for United States landscape architects is the American Society of Landscape Architects. Frederick Law Olmsted, who designed Central Park in New York City, is known as the "father of American landscape architecture".[35]
^Van Assche, K., Beunen, R., Duineveld, M., & de Jong, H. (2013). Co-evolutions of planning and design: Risks and benefits of design perspectives in planning systems. Planning Theory, 12(2), 177–198.
^National Park Service (2000). Cultural Landscape Report: Dumbarton Oaks Park, Rock Creek Park. Washington, D.C.: U.S. Dept. of the Interior.
^"Bulletin of Information for the AICP Comprehensive Planning Examination"(PDF). www.planning.org. Retrieved 29 August 2016. There are important distinctions between planners and allied professionals and between planning and related fields. Planners approach problems comprehensively, have a long-range perspective, and deal with unique place-based issues. Although people in related professions (e.g., law, architecture, landscape architecture, engineering, real estate development, etc.) and disciplines (humanities, psychology, etc.) often work with planners, they do not necessarily have the same knowledge base, skillset, and approach.
^Ozio, Ron (6 March 2001). "Obituary: Ian McHarg Dies". Penn News. University of Pennsylvania. Archived from the original on 16 September 2015. Retrieved 4 June 2014.
A garden is a planned space, usually outdoors, set aside for the cultivation, display, and enjoyment of plants and other forms of nature. The single feature identifying even the wildest wild garden is control. The garden can incorporate both natural and artificial materials.[1]
Gardens often have design features including statuary, follies, pergolas, trellises, stumperies, dry creek beds, and water features such as fountains, ponds (with or without fish), waterfalls or creeks. Some gardens are for ornamental purposes only, while others also produce food crops, sometimes in separate areas, or sometimes intermixed with the ornamental plants. Food-producing gardens are distinguished from farms by their smaller scale, more labor-intensive methods, and their purpose (enjoyment of a pastime or self-sustenance rather than producing for sale, as in a market garden). Flower gardens combine plants of different heights, colors, textures, and fragrances to create interest and delight the senses.[2]
The most common form today is a residential or public garden, but the term garden has traditionally been a more general one. Zoos, which display wild animals in simulated natural habitats, were formerly called zoological gardens.[3][4] Western gardens are almost universally based on plants, with garden, which etymologically implies enclosure, often signifying a shortened form of botanical garden. Some traditional types of eastern gardens, such as Zen gardens, however, use plants sparsely or not at all. Landscape gardens, on the other hand, such as the English landscape gardens first developed in the 18th century, may decide to omit flowers altogether.
The etymology of the word gardening refers to enclosure: it is from Middle English gardin, from Anglo-French gardin, jardin, of Germanic origin; akin to Old High German gard, gart, an enclosure or compound, as in Stuttgart. See Grad (Slavic settlement) for more complete etymology.[6] The words yard, court, and Latin hortus (meaning "garden", hence horticulture and orchard), are cognates—all referring to a defined enclosed space.[7]
The term "garden" in British English refers to a small enclosed area of land, usually adjoining a building.[8] This would be referred to as a yard in American English.[9]
The earliest recorded Chinese gardens were created in the valley of the Yellow River, during the Shang dynasty (1600–1046 BC). These gardens were large enclosed parks where the kings and nobles hunted game, or where fruit and vegetables were grown. Early inscriptions from this period, carved on tortoise shells, have three Chinese characters for garden, you, pu and yuan. You was a royal garden where birds and animals were kept, while pu was a garden for plants. During the Qin dynasty (221–206 BC), yuan became the character for all gardens.[10] The old character for yuan is a small picture of a garden; it is enclosed in a square which can represent a wall, and has symbols which can represent the plan of a structure, a small square which can represent a pond, and a symbol for a plantation or a pomegranate tree.[11]
A famous royal garden of the late Shang dynasty was the Terrace, Pond and Park of the Spirit (Lingtai, Lingzhao Lingyou) built by King Wenwang west of his capital city, Yin. The park was described in the Classic of Poetry this way:
The King makes his promenade in the Park of the Spirit,
The deer are kneeling on the grass, feeding their fawns,
The deer are beautiful and resplendent.
The immaculate cranes have plumes of a brilliant white.
The King makes his promenade to the Pond of the Spirit,
During the Spring and Autumn period (722–481 BC), in 535 BC, the Terrace of Shanghua, with lavishly decorated palaces, was built by King Jing of the Zhou dynasty. In 505 BC, an even more elaborate garden, the Terrace of Gusu, was begun. It was located on the side of a mountain, and included a series of terraces connected by galleries, along with a lake where boats in the form of blue dragons navigated. From the highest terrace, a view extended as far as Lake Tai, the Great Lake.[15]
Manasollasa is a twelfth century Sanskrit text that offers details on garden design and a variety of other subjects.[16] Both public parks and woodland gardens are described, with about 40 types of trees recommended for the park in the Vana-krida chapter.[16][17]Shilparatna, a text from the sixteenth century, states that flower gardens or public parks should be located in the northern portion of a town.[18]
The earliest recorded Japanese gardens were the pleasure gardens of the Emperors and nobles. They were mentioned in several brief passages of the Nihon Shoki, the first chronicle of Japanese history, published in 720 CE. In spring 74 CE, the chronicle recorded: "The Emperor KeikÅ put a few carp into a pond, and rejoiced to see them morning and evening". The following year, "The Emperor launched a double-hulled boat in the pond of Ijishi at Ihare, and went aboard with his imperial concubine, and they feasted sumptuously together". In 486, the chronicle recorded that "The Emperor KenzÅ went into the garden and feasted at the edge of a winding stream".[19]
Korean gardens are a type of garden described as being natural, informal, simple and unforced, seeking to merge with the natural world.[20] They have a history that goes back more than two thousand years,[21] but are little known in the west. The oldest records date to the Three Kingdoms period (57 BC – 668 AD) when architecture and palace gardens showed a development noted in the Korean History of the Three Kingdoms.
Gardening was not recognized as an art form in Europe until the mid 16th century when it entered the political discourse, as a symbol of the concept of the "ideal republic". Evoking utopian imagery of the Garden of Eden, a time of abundance and plenty where humans didn't know hunger or the conflicts that arose from property disputes. John Evelyn wrote in the early 17th century, "there is not a more laborious life then is that of a good Gard'ners; but a labour full of tranquility and satisfaction; Natural and Instructive, and such as (if any) contributes to Piety and Contemplation."[22] During the era of Enclosures, the agrarian collectivism of the feudal age was idealized in literary "fantasies of liberating regression to garden and wilderness".[23]
Following his campaign in Italy in 1495, where he saw the gardens and castles of Naples, King Charles VIII brought Italian craftsmen and garden designers, such as Pacello da Mercogliano, from Naples and ordered the construction of Italian-style gardens at his residence at the Château d'Amboise and at Château Gaillard, another private résidence in Amboise. His successor Henry II, who had also travelled to Italy and had met Leonardo da Vinci, created an Italian garden nearby at the Château de Blois.[24] Beginning in 1528, King Francis I created new gardens at the Château de Fontainebleau, which featured fountains, parterres, a forest of pine trees brought from Provence, and the first artificial grotto in France.[25] The Château de Chenonceau had two gardens in the new style, one created for Diane de Poitiers in 1551, and a second for Catherine de' Medici in 1560.[26] In 1536, the architect Philibert de l'Orme, upon his return from Rome, created the gardens of the Château d'Anet following the Italian rules of proportion. The carefully prepared harmony of Anet, with its parterres and surfaces of water integrated with sections of greenery, became one of the earliest and most influential examples of the classic French garden.[27]
The French formal garden (French: jardin à la française) contrasted with the design principles of the English landscape garden (French: jardin à l'anglaise) namely, to "force nature" instead of leaving it undisturbed.[28] Typical French formal gardens had "parterres, geometrical shapes and neatly clipped topiary", in contrast to the English style of garden in which "plants and shrubs seem to grow naturally without artifice."[29] By the mid-17th century axial symmetry had ascended to prominence in the French gardening traditions of Andre Mollet and Jacques Boyceau, from which the latter wrote: "All things, however beautiful they may be chosen, will be defective if they are not ordered and placed in proper symmetry."[30] A good example of the French formal style are the Tuileries gardens in Paris which were originally designed during the reign of King Henry II in the mid-sixteenth century. The gardens were redesigned into the formal French style for the Sun King Louis XIV. The gardens were ordered into symmetrical lines: long rows of elm or chestnut trees, clipped hedgerows, along with parterres, "reflect[ing] the orderly triumph of man's will over nature."[31]
The French landscape garden was influenced by the English landscape garden and gained prominence in the late eighteenth century.[32][33]
Before the Grand Manner era, a few significant gardens were found in Britain which were developed under the influence of the continent. Britain's homegrown domestic gardening traditions were mostly practical in purpose, rather than aesthetic, unlike the grand gardens found mostly on castle grounds and less commonly in universities. Tudor Gardens emphasized contrast rather than transitions, distinguished by color and illusion. They were not intended as a complement to home or architecture, but conceived as independent spaces, arranged to grow and display flowers and ornamental plants. Gardeners demonstrated their artistry in knot gardens, with complex arrangements most commonly included interwoven box hedges, and less commonly fragrant herbs like rosemary. Sanded paths run between the hedgings of open knots whereas closed knots were filled with single colored flowers. The knot and parterre gardens were always placed on level ground, and elevated areas reserved for terraces from which the intricacy of the gardens could be viewed.[30]
Jacobean gardens were described as "a delightful confusion" by Henry Wotton in 1624. Under the influence of the Italian Renaissance, Caroline gardens began to shed some of the chaos of earlier designs, marking the beginning of a trends towards symmetrical unified designs that took the building architecture into account, and featuring an elevated terrace from which home and garden could be viewed. The only surviving Caroline garden is located at Bolsover Castle in Derbyshire, but is too simple to attract much interest. During the reign of Charles II, many new Baroque style country houses were built; while in England Oliver Cromwell sought to destroy many Tudor, Jacobean and Caroline style gardens.[30]
Garden design is the process of creating plans for the layout and planting of gardens and landscapes. Gardens may be designed by garden owners themselves, or by professionals. Professional garden designers tend to be trained in principles of design and horticulture, and have a knowledge and experience of using plants. Some professional garden designers are also landscape architects, a more formal level of training that usually requires an advanced degree and often an occupational license.
Elements of garden design include the layout of hard landscape, such as paths, rockeries, walls, water features, sitting areas and decking, as well as the plants themselves, with consideration for their horticultural requirements, their season-to-season appearance, lifespan, growth habit, size, speed of growth, and combinations with other plants and landscape features. Most gardens consist of a mixture of natural and constructed elements, although even very 'natural' gardens are always an inherently artificial creation. Natural elements present in a garden principally comprise flora (such as trees and weeds), fauna (such as arthropods and birds), soil, water, air and light. Constructed elements include not only paths, patios, decking, sculptures, drainage systems, lights and buildings (such as sheds, gazebos, pergolas and follies), but also living constructions such as flower beds, ponds and lawns.
Garden needs of maintenance are also taken into consideration. Including the time or funds available for regular maintenance, (this can affect the choices of plants regarding speed of growth) spreading or self-seeding of the plants (annual or perennial), bloom-time, and many other characteristics. Garden design can be roughly divided into two groups, formal and naturalistic gardens. The most important consideration in any garden design is how the garden will be utilised, followed closely by the desired stylistic genres, and the way the garden space will connect to the home or other structures in the surrounding areas. All of these considerations are subject to the budget limitations. Budget limitations can be addressed by a simpler garden style with fewer plants and less costly hard landscape materials, seeds rather than sod for lawns, and plants that grow quickly; alternatively, garden owners may choose to create their garden over time, area by area.[34]
Gardeners may cause environmental damage by the way they garden, or they may enhance their local environment. Damage by gardeners can include direct destruction of natural habitats when houses and gardens are created; indirect habitat destruction and damage to provide garden materials such as peat,[35] rock for rock gardens,[36] and by the use of tapwater to irrigate gardens; the death of living beings in the garden itself, such as the killing not only of slugs and snails but also their predators such as hedgehogs and song thrushes by metaldehyde slug killer; the death of living beings outside the garden, such as local species extinction by indiscriminate plant collectors; and climate change caused by greenhouse gases produced by gardening.
Gardeners can help to prevent climate change in many ways, including the use of trees, shrubs, ground cover plants and other perennial plants in their gardens, turning garden waste into soil organic matter instead of burning it, keeping soil and compost heaps aerated, avoiding peat, switching from power tools to hand tools or changing their garden design so that power tools are not needed, and using nitrogen-fixing plants instead of nitrogen fertiliser.[37]
Climate change will have many impacts on gardens; some studies suggest most of them will be negative.[38] Gardens also contribute to climate change. Greenhouse gases can be produced by gardeners in many ways. The three main greenhouse gases are carbon dioxide, methane, and nitrous oxide. Gardeners produce carbon dioxide directly by overcultivating soil and destroying soil carbon, by burning garden waste on bonfires, by using power tools which burn fossil fuel or use electricity generated by fossil fuels, and by using peat. Gardeners produce methane by compacting the soil and making it anaerobic, and by allowing their compost heaps to become compacted and anaerobic. Gardeners produce nitrous oxide by applying excess nitrogen fertiliser when plants are not actively growing so that the nitrogen in the fertiliser is converted by soil bacteria to nitrous oxide.
Some gardeners manage their gardens without using any water from outside the garden. Examples in Britain include Ventnor Botanic Garden on the Isle of Wight, and parts of Beth Chatto's garden in Essex, Sticky Wicket garden in Dorset, and the Royal Horticultural Society's gardens at Harlow Carr and Hyde Hall. Rain gardens absorb rainfall falling onto nearby hard surfaces, rather than sending it into stormwater drains.[39]
^Schur, Norman; Ehrlich, Eugene; Ehrlich, Richard (1987). British English from A to Zed: A Definitive Guide to the Queen's English. Skyhorse. p. 146. ISBN9781620875773.
^Feng Chaoxiong, The Classical Gardens of Suzhou, preface, and Bing Chiu, Jardins de Chine, ou la quete du paradis, Editions de La Martiniere, Paris 2010, p. 10–11.
^Tong Jun, Records of Jiang Gardens, cited in Feng Chanoxiong, The Classical Gardens of Suzhou.
^Translation in Jardins de Chine, ou la quête du paradis, cited in Che Bing Chiu, Jardins de Chine, ou la quete du paradis, p. 11.
^Tan, p. 10. See also Che Bing Chiu, Jardins de Chine, ou la quete du paradis, p. 11.
^Che Bing Chiu, Jardins de Chine, ou la quete du paradis, p. 11.
^Weiss, Allan (1995). Mirrors of Infinity: The French Formal Garden and 17th-Century Metaphysics. Princeton Architectural Press. p. 15. ISBN9781568980508.
^Scurr, Ruth (2022). Napoleon: A Life in Gardens and Shadows. Vintage. p. 15.
^ abcHayes, Gordon (2013). Landscape and Garden Design: Lessons from History. Whittle. pp. 1–3. ISBN978-1849950824.
^Scurr, Ruth (2022). Napoleon: A Life in Gardens and Shadows. Vintage. p. 29.
^Calder, Martin (2006). Experiencing the Garden in the Eighteenth Century. Lang. p. 9. ISBN9783039102914.
^Weiss, Allan (1995). Mirrors of Infinity: The French Formal Garden and 17th-Century Metaphysics. Princeton Architectural Press. p. 15. ISBN9781568980508.
^Ingram, David S.; Vince-Prue, Daphne; Gregory, Peter J., eds. (2008). Science and the Garden: The scientific basis of horticultural practice. Oxford: Blackwell. ISBN978-1-4051-6063-6.
^Bisgrove, R.; Hadley, P. (2002). Gardening in the global greenhouse: the impacts of climate change on gardens in the UK (Report). S2CID127801132.
^Dunnett and Clayden, Nigel and Andy (2007). Rain Gardens: Managing Water Sustainably in the Garden and Designed Landscape. Portland, OR: Timber Press. ISBN978-0-88192-826-6.
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Workers were great, no problem they did what was required, but the representative of your company mislead me on what was to be done, I showed pictures from a competitor landscaper, representative stated he could bet there , , . price, but since it wasn’t in contract, I was left with uncomplicated backyard , working with owner at present, so he’s been outstanding working on this situation, as amount of rock was way off and the owner did increase the amount substantially to finish the front yard. another landscaper under contract to finish the backyard. Would like to add a comment the manger/owner of Las Vegas yard n block stands behind his words and helped me tremendously on finishing up the backyard,
My initial contact was with Ray, whom did an excellent job giving me an estimate on what I wanted done in my small yard and walkway., the guys that came out and did the work were superior. They did an excellent job. I’m very pleased with this company. I will highly recommend them to family and friends, and I will be using them in the near future for other little projects.
Chris, the design consultant, Dave the production manager, along with their install team Opulent were affordable, upfront with costs, efficient and professional. Attached are some before and after pictures. Highly recommend their services.
Eric and team did an amazing job. They worked with me for months while I got HOA approval for the project. Once they began working they were great, going over everything in detail and making sure things were perfect. This project included wall repair, stucco and paint repair, paver and turf installation. Extremely satisfied with this experience.